画眉楼上愁登临——宋代女性楼意象词与男性闺音楼意象词比较  

Comparison of Mansion Imago Poem Composed by Poetesses with Boudoir Mansion Imago Poem Composed by Male Poets in Song Dynasty

作　　者：骆新泉[1] 

机构地区：[1]徐州工程学院,江苏徐州221008

出　　处：《沈阳大学学报》2008年第3期8-12,共5页

基　　金：江苏省教育厅高校哲学社会科学基金指导项目(07SJD750025)

摘　　要：比较和分析两宋时期楼意象词的两类词人及作品,认为"闺音原唱"(作者为女词人自身)楼意象词内容丰富,情感真挚而深刻:闺中思妇的孤寂、愁苦、怨艾、无奈,亡国宫女及被掠民女的思君爱国、慷慨贞烈,底层歌妓的爱情追求、辛酸绝望;而"男子作闺音"楼意象词内容单一,情感看似浓烈实则肤浅:楼中女子的浓情蜜意;独守闺房的思妇情怀;盼望与失望的情感交织。The writers and works of mansion imago poems in Song Dynasty are compared and analyzed. It is considered that, the mansion imago poem composed by poetesses is rich in content, moreover, its emotion is cordial and profound, which includes loneliness, anxiety, resentment and having no choice from women who live in the boudoir; yearning for their monarch with spirit of patriotism and chastity of palace maids of the conquered nation and the robbed women; pursuit of love, sad and desperate of geisha of bottom of the society. The content of boudoir mansion imago poem composed by male poet is unitary, and its emotion looks like strong but actually superficial which includes great tenderness for women who live in mansion; feeling of women who miss their lovers but living alone in the boudoir; the emotion interweaving of hope with disappointment.

关 键 词：宋代 女性楼意象词 闰音楼意象词 比较研究 

分 类 号：I206.5[文学—中国文学]