没有灵魂的符号:“诗落”的中国传统戏曲——以越剧为话题的戏曲诗学观  

Sign Without Soul:Loss of Traditional Chinese Opera from the Perspective of Shaoxing Opera

作　　者：孔则吾 胡晓慧[2] 

机构地区：[1]浙江出版联合集团出版管理部,浙江杭州310013 [2]浙江大学国际教育学院,浙江杭州310027

出　　处：《石家庄学院学报》2008年第4期82-88,共7页Journal of Shijiazhuang University

摘　　要：作为新传媒的电影和电视网络的迅速发展,在世界范围内造成了对舞台戏剧特别是中国传统戏曲的强大冲击。在影响传统戏曲生存发展的众多因素中,作为一剧之本的文学因素成为重要方面。在诸多文学因子中,剧本曲词的诗词意境又是写意和抒情戏曲的核心问题。通过对传统戏曲和诗词的内在联系和发展轨迹的分析,探讨了在大戏剧的视野下诗词传统的继承和新诗的发展对地方戏曲生存发展的重要作用。The rapid development of movies and television networks as new media has made powerful impact on world dramas, particularly the traditional Chinese operas. Among the factors affecting the survival and development of traditional Chinese opera, literary becomes an important one. in all literature factors, poetry mood in opera has become the core issues of opera＇ s implication and lyric. This paper attempts to discuss the important role which the inheritance and development of poetry tradition play in the survival arid development of the opera under the wide field vision of drama.

关 键 词：诗歌 戏曲 戏剧 越剧 

分 类 号：J80[艺术—戏剧戏曲]