惠山手捏戏文与昆曲的艺术关联  

Artistic Connection between Huishan Pinch-mould Opera Characters and Kun Opera

作　　者：张文珺[1] 

机构地区：[1]南京艺术学院人文学院,江苏南京210013

出　　处：《南京艺术学院学报（美术与设计）》2008年第4期121-123,共3页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：2007年江苏省社会科学基金项目<江苏传统工艺美术数字化保存的整合研究>阶段性成果论文;(07YSB001)

摘　　要：明清以来,昆曲逐渐流布全国各地。在无锡,丰富的民俗活动,促进了昆曲的流行与繁荣,使昆曲受到社会各阶层的喜爱,也为惠山的泥塑艺人提供了观摩戏剧的机会,启发他们开辟全新的创作领域——手捏戏文。艺人们巧妙地运用昆曲表演的艺术技巧,根据泥塑的特点,灵活地抓住最具代表性的情节和人物动作,惟妙惟肖地表现出剧目内容的精彩瞬间。Since the Ming and Qing Dynasties, Kun Opera has been spread nation wide. Rich custom ac-tivities in Wuxi promoted the popularity and abundance of Kun Opera, and provide chances for clay sculpturers to view it, so that they were enlightened to create a totally new creation field--pinchi-mould opera characters. Making clever use of the artistic techniques of performance of Kun Opera, according to the clay sculpture’s character, they nimbly grasped the most represen tativ e circu mstan ce an d acts o f th e characters, and expressed the wonderful moments in the operas.

关 键 词：手捏戏文 昆曲 捏塑 彩绘 

分 类 号：J314.7[艺术—美术]