元结的诗歌理论和诗歌创作  

YUAN Jie′s Poetical Theory and Creation

作　　者：姜晓霞[1] 

机构地区：[1]昆明师范高等专科学校中文系,云南昆明650031

出　　处：《昆明师范高等专科学校学报》2008年第2期59-62,共4页Journal of Kunming Teachers College

摘　　要：元结是鲜卑族拓跋氏的后裔,身上具备义勇纯真的北方草原民族的特点。在文学的价值取向上,趋向于质朴和慷慨,更多地强调文学经世致用的政治功能一面。在诗歌理论和创作上,他提倡古诗古乐府,反对近体流行调;提倡言志抒情,不重儒家诗教。有的讽谏之作言词犀利,态度狷狂,有的诗歌古朴直切,与"主文而谲谏"相左,在一定程度上突破了儒家诗论的藩篱,表现了出身拓跋氏的元结"不师孔丘"的一面。YUAN Jie, an off spring of Tuo Ba family of Xian Bei nationality, had the brave, pure characteristics of the northern grassland people. On the orientation of literature value tended to be plain and generous, and much emphasis laid on the political function. In poetical theory and creation, he advocated adoption of ancient poetry and ballads, rejecting the so-called modem style poetry and was in favor of expressing ideas and emotions, neglecting the Confucian poetical theory. To some extents, he went out of the Confucian poetical theory and as a member from Tuo Ba family of the Xian Bei minority, he showed one of the features that he didn＇t think highly of the Confucius.

关 键 词：元结 乐府诗 言志抒情 诗歌理论 诗歌创作 

分 类 号：I207.22[文学—中国文学]