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作 者:辛文[1]
出 处:《湖北第二师范学院学报》2008年第3期4-6,共3页Journal of Hubei University of Education
摘 要:魏晋诗学自觉的标志主要体现在"诗缘情"思潮。从理论新变来看,人们对诗赋具有审美愉悦的抒情性质的认识逐步深化,以致触及到诗歌艺术的本质特点;从诗赋创作而言,语言艺术的特点随着文学与音乐的分离而突现出来,从标题到内容都发生了变化。The symbol of the consciousness of poetics in the Wei and Jin dynasty is the theory of "Poetry Root in Feeling". From the point of view on the fresh of theory, people's cognition about the aesthetic and joyful lyricism had deepened so gradually that it touched the intrinsic characteristic of poems. From the point of view on the composition of poems and odes, the trait of language arts had presented itself with the separation of literature and music, the change had happened from the title to the content.
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