透雕“三鹿纹饰牌”的造型艺术浅析  

An Approach of the Sculpture Art of the Permeation Carving "Three-deer-grain Plate Ornament"

作　　者：赤新[1] 

机构地区：[1]内蒙古大学艺术学院,内蒙古呼和浩特010010

出　　处：《内蒙古大学艺术学院学报》2008年第2期63-70,共8页Journal of Art College of Inner Mongolia University

基　　金：内蒙古自治区高等学校科学研究项目<中国古代北方民族青铜艺术造型纹饰研究与应用>(内蒙古自治区教育厅;批准号:NJ05132)

摘　　要："三鹿纹饰牌"造型艺术的特点是具有图案构成的韵律感和立体造型的平衡。它与不同历史时期、不同民族同类造型艺术的器物比较,具有鲜明特色。它所代表的鲜卑民族造型艺术可以说是拙朴与虔诚的结合,"三鹿纹饰牌"亦可作为研究古代鲜卑民族文化的重要补充资料。The sculpture art feature of the ＂Three - deer - grain plate ornament＂ is the balance with the sense of cadence and the solid sculpture constructed with patterns. Compared to the utensils of the same type of the sculpture art in different historical stages and of different people, it has its distinctive features. The Xianbei national sculpture art they represent may be considered to be the combination of simplicity and piety and they can also be the important supplementary information for the research on the ancient Xianbei national culture.

关 键 词：鲜卑民族 三鹿纹饰牌 造型艺术 

分 类 号：J526.1[艺术—艺术设计]