论道教音乐对花间词风格的影响  

Discussion about the Effect of Taoist Music on the Huajian-Ci

作　　者：赵丽[1] 

机构地区：[1]大庆师范学院中文系

出　　处：《北方论丛》2008年第4期22-24,共3页The Northern Forum

基　　金：黑龙江省教育厅人文社会科学研究项目(项目编号:11514152)

摘　　要：词是音乐文学的代表样式,音乐性是其突出的特征。唐代是道教的全盛期,产生于晚唐五代的花间词受到道教音乐的浸润,其直接表现就是道教音乐对于花间词的音乐体式和风格特色产生了深远的影响:道教音乐转化成词牌,为词的创作提供了可资参照的曲调范式;在"以诗从乐"的时代,道教音乐清新、飘逸、婉媚的审美风格直接影响了花间词的审美风格。With the prominent characteristic of musicality, Ci poetry is the representative style of musical literature, The Tang Dynasty is the golden age of Taoism, and Huajian Ci compiled in the late Tang and Five Dynasties has received the infiltration from Taoist music, the direct effect of which was that the Tanist music affected the music and unique style of Huajian Ci deeply： the transformation of Taoist music into Ci brand provided the melody paradigm for the creation of Ci poetry; the fresh, elegant and charming aesthetic style of Taoist music in the era of “conplying the music with the poem” influenced directly the aesthetic style of Huajian Ci.

关 键 词：道教音乐 花间词 风格 

分 类 号：I207.22[文学—中国文学]