现存元杂剧中李逵形象的人文关照  

On the Humanistic Caring Shown by LI Kui's Image in the Minor Operas Kept of Yuan Dynasty

作　　者：梁洁[1] 

机构地区：[1]四川大学锦城学院文学与传媒系,四川成都611731

出　　处：《内江师范学院学报》2008年第7期69-71,共3页Journal of Neijiang Normal University

摘　　要：元代的水浒杂剧把南宋以来口头传说中的梁山泊英雄故事搬上舞台,这其中以写李逵故事的戏最多。现存元杂剧中的几个李逵形象都有一种趋同且异于其它时代其它体裁的形象特征,通过这个形象可以反映当时的社会、人文和审美方面的需求,具有强烈的人文关照指向。The operas Outlaws of the Marsh in Yuan Dynasty recomposed the legends of Liangshan heroes which had spread since Nansong Dynasty and then brought them to the stages. Of these operas, the dramas about LI Kui are the most in number. The images of LI Kui in the Yuan operas kept today have common features and are different from those of other types of literature in any other period. Through the description of the character, one can find the social, humanistic and esthetic needs of that day. Accordingly, the images of the character are characterized by the strong humanistic orientation.

关 键 词：李逵 现存元杂剧 人文内涵 

分 类 号：I207.3[文学—中国文学]