敦煌早期壁画中中原式人物造型  

A study of the Central Plains Style of figure and genre painting in the early period of the Dunhuang Grottoes

作　　者：赵声良[1] 

机构地区：[1]敦煌研究院编辑部,甘肃兰州730030

出　　处：《敦煌研究》2008年第3期13-18,117-119,共9页Dunhuang Research

基　　金：国家社会科学基金2004年度西部地区项目(04XZS009)

摘　　要：本文分析了敦煌早期壁画中中原式人物画的发展,指出对中原式人物造型有三个阶段,一是来自汉晋以来的传统艺术,一是在北魏末到西魏初传入敦煌的新型风格,一是在北周以后对中原式与西域式画法的融合。对不同绘画样式的源流进行探讨,指出了不同时期来自中原影响的变化,以及对敦煌这一特殊地方形成的与中原不完全相同的绘画特征。This paper makes a careful examination of the 'Central Plains Style' of figure and genre painting in the early period of Dunhuang Grottoes and the track of development, pointing out three stages in the development of the 'Central Plains Style' of figure and genre painting. The first stage transmits the traditional style of the Han and Jin dynasties; in the second stage, during the Northern Wei and the Western Wei dynasties, a new art style was transmitted to Dunhuang; in the third stage, during the Northern Zhou dynasty and later, there was a merging of the Central Plains and Western Regions styles. This article traces the sources of diverse painting styles and identifies successive changes in figure and genre painting under the central plains influence. The local style in Dunhuang has some features that are not identical with those of the Central Plains.

关 键 词：敦煌 壁画 中原式 人物 造型 

分 类 号：K879.41[历史地理—考古学及博物馆学]