从《愤怒的日子》看中世纪的词乐结构  

Medieval Structure of Lyrics and Music as Reflected in Dies Irae

作　　者：钱亦平[1] 

机构地区：[1]上海音乐学院音乐学系

出　　处：《音乐艺术（上海音乐学院学报）》2008年第2期73-85,共13页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：上海音乐学院上海重点学科建设项目资助项目编号:T0701

摘　　要：阐述中世纪音乐体裁继叙咏的产生、发展及歌词和音乐特点,对现存活于礼拜仪式的继叙咏《愤怒的日子》就其作者、歌词、旋律、结构进行考证或分析。提出"中世纪最主要的音乐结构是以诗序为基础的词乐结构"这一论点。In the essay the rise and development of the medieval sequence,as well as the characteristics of its lyrics and music are tackled.As a case study,the extant sequence in liturgy,Dies Irae,is examined and analyzed.The conclusion the writer has made is that the major musical structure in the Middle Age was based on verses,the so-called structure of lyrics and music.

关 键 词：继叙咏 《愤怒的日子》 词乐结构 

分 类 号：J614.3[艺术—音乐]