以“格调”为基准的“正声”追求——嘉靖以降明人对几种唐诗选本的解读  

Pursuing for Ming Poetry's "Zheng Sheng"Based on the Style——Discussion about Certain Tang Poetry Selections by the People in the Ming Dynasty

作　　者：战立忠[1] 

机构地区：[1]山东大学威海分校中文系,山东威海264209

出　　处：《江西师范大学学报（哲学社会科学版）》2008年第3期60-64,共5页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：明人论诗常常会借助对唐诗选本的解读来表露他们的文学主张和诗学取向。明代前期,人们更看重《唐音》;自李、何倡议复古之后,《唐诗品汇》及其精编本《唐诗正声》开始成为明人学唐的正宗读本,对诗坛风习产生了深刻影响。明人正是通过对这两种选本的不断阐释,尝试以"格调"沟通"正声",进一步确认与强化了复古派"格调"说,并对其加以反思和修正。Several famous Tang poetry selections spread in the Ming Dynasty had played a very important role in the poetry circles. Many people at that time were used to displaying their poetry viewpoints and assertion by means of discussing the selections such as Tang Yin and Tang Shi Zheng Sheng. What should be paid more attention is Ming people ＇ s boast to ＂Tang Yin＂ and their pursuing for Ming poetry＇ s ＂Zheng Sheng＂ which reflected new literary currents of the time, demonstrated new changes of poetry theory directions. Which displayed the thinking effort and theoretical consciousness of Ming people in the historical process of Ming poetry development.

关 键 词：唐诗选本 明诗 复古 

分 类 号：I207.22[文学—中国文学]