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机构地区:[1]武汉理工大学艺术与设计学院 [2]湖北林业勘察设计院
出 处:《华中建筑》2008年第7期144-147,共4页Huazhong Architecture
摘 要:该文从历史的角度来分析建筑、雕塑发展过程之中,自身形式和语言的不断变化和结合。以雕塑在建筑中相互关联为切入点论述其关系:从起源建筑与雕塑产生开始,到古埃及、古希腊、中世纪、文艺复兴、巴洛克,雕塑在建筑不同时期的形态与风格变化中产生的重要作用。阐述了二者构成的环境艺术,并分析了古代建筑师与雕塑家之间的关系。通过许多典型实例的分析提出:建筑与雕塑由于在空间形式上的趋同导致表述关系上的对立统一,从而在古代建筑不同的形态考察中都出现雕塑与建筑的配合,而雕塑一直充当着建筑造型的重要语汇与符号的角色。This article analyzes the changes and combinations of form and language of beth architecture and sculpture in their development from historical view. Starting with the interaction between architecture and sculpture, it discusses the significance of sculpture to the form and style of architecture in different times, from their origin to Ancient Egypt, Ancient Greece, Medieval, Renaissance then to Baroque, expounds environment arts composed by the two. and analyzes relations between ancient architects and sculptors. With many typical cases, it puts forward that similitude of the two in space form causes their unity of opposite in expressional relations, accordingly there is combination of the two in different form investigation of ancient buildings, and that sculpture is always important vocabulary and symbol of architecture form.
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