西厢记故事演进的多元文化解读  

Multicultural Interpreting of the Development of Xixiangji's Plot

作　　者：郝青云[1] 王清学[2] 

机构地区：[1]内蒙古民族大学文学院 [2]燕山大学文法学院

出　　处：《中国社会科学院研究生院学报》2008年第4期92-97,共6页Journal of Graduate School of Chinese Academy of Social Sciences

摘　　要：自唐代《莺莺传》诞生以来,在宋、金、元、明历代得到了进一步发展演进,西厢记故事的演进经历了几个不同民族的融合时期。在这个多元文化背景下,西厢记故事的演进是在文艺形式和思想内容两个方面同时发生的,每一次思想内容的演进,都以文艺形式发展为契机,而文艺形式的发展又以文化转型为重要前提。Since the Biography of Yingying had born in Tang dynasty, the story was de-veloped further in Song, Jin, Yuan and Ming dynasty, and the development of Xixiangji passed through a few nationalities reign. The plot of Xixiangji was developed in both art form and content under the multicultural background, and every development in content depended on the development of art form, while the development of art form depended on the eultural transformation.

关 键 词：西厢记 演进 多元文化 

分 类 号：I207.3[文学—中国文学]