从《诗学》理论解读元杂剧“发现”与“突转”之叙事艺术  

Interpretation of the Narrative Art of "Discovery" and "sudden-shift" in Yuan Opera According to the Theory of Aristotle's Poetics

作　　者：胡健生[1] 

机构地区：[1]曲阜师范大学文学院

出　　处：《江西科技师范学院学报》2008年第3期77-81,76,共6页Journal of Nanchang Vocational & Technical Techers' College

摘　　要："发现"与"突转"乃源自西方戏剧美学理论范畴的两个重要概念术语,本文拟以亚里士多德《诗学》的相关理论为参照,以元杂剧为具体考察对象,就元杂剧中"发现"与"突转"之叙事艺术予以粗略探究。The ＂Discovery＂and the＂sudden-shift＂are two important conceptual terms derived from Western drama aesthetic theory. The paper takes Aristode＇s theory of ＂poetry＇as a reference and studies the Yuan Opera. It makes a research on the narrative art of the ＂discovery＂ and＂sudden-shift＂in the opera.

关 键 词：《诗学》 元杂剧 “发现” “突转” 叙事艺术 

分 类 号：I207.37[文学—中国文学]