艺术嗓音中不同唱法的元音共振峰研究  

The investigation of formant on different artistic voice

作　　者：王建群[1] 高下[1] 刘晓宙[2] 冯雨霖[2] 沈晓辉[1] 俞晨杰[1] 杨烨[1] 

机构地区：[1]南京大学医学院附属鼓楼医院耳鼻咽喉科,南京210008 [2]近代声学教育部重点实验室(南京大学)

出　　处：《临床耳鼻咽喉头颈外科杂志》2008年第15期679-682,共4页Journal of Clinical Otorhinolaryngology Head And Neck Surgery

摘　　要：目的:探讨不同艺术嗓音(美声、民族、京剧)在声谱图上的重要参数——共振峰的表现特征。方法:使用MATLAB软件,对上述3类艺术嗓音稳态元音样本进行短时傅里叶变换及声图分析。结果:美声歌手按其声部的不同,其歌手共振峰有不同的表现;民族歌手声图上显著的特点是第一、第二、第三共振峰,即F1、F2、F3非常连续,能量变化十分均匀。京剧唱腔共性特点是可见共振峰频谱相当宽,各共振峰间过渡柔和,谐波非常丰富,出现类似西方美声的歌手共振峰的峰群(一般是2个峰)。结论:歌唱艺术嗓音在声图的共振峰参数上有其不同的属性及各自存在的特征,在客观评价和预测鉴定方面有重要的参考价值。Objective：To explore the characteristic of formant-a very important parameter in the spectrogram of three types of artistic voice （western mode; Chinese mode; Beijing opera）. Method： We used MATLAB software to make the short-time Fourier transform and spectrogram analysis on the homeostasis vowel examples of the three types. Result： The western mode had different representation ＂singer formant＂ （Fs） based on the voice part; the Chinese mode＇s notable features were that F1,F2 ,F3 were continuous and the energy of them changed softly; the Beijing opera had the common representation which was a very wide formant and there was soft transition between formants and various harmonic, besides it showed a similar component like the ＂Fs＂ （two formants connected nor mally）. Conclusion：Different artistic voice showed their own characteristics of the formant parameter in the spectrogram, which had important value on the identification, objective evaluation and prediction.

关 键 词：嗓音 共振峰 谐波 美声唱法 民族唱法 京剧艺术 

分 类 号：R767.92[医药卫生—耳鼻咽喉科]