元杂剧中的“发现”与“突转”艺术——以亚里士多德《诗学》为参照  

On Recognition and Reversal Art in Zaju of theYuan Dynasty——Taking Aristotle' s Poetics as a Reference

作　　者：胡健生[1] 

机构地区：[1]中山大学

出　　处：《浙江艺术职业学院学报》2008年第2期27-32,共6页Journal of Zhejiang Vocational Academy of Art

摘　　要："发现"与"突转"乃源自西方戏剧美学理论范畴的两个重要术语,本文拟以亚里士多德《诗学》的相关理论为参照,以元杂剧为具体考察对象,尝试从比较研究的视角切入,探究元杂剧中的"发现"与"突转"问题。Recognition and reversal are two important conceptual terms derived from Western drama aesthetics. Taking relative theory in Aristotle＇ s Poetics as a reference, the paper probes into recognition and reversal in zaju of the Yuan dynasty from the perspective of comparative study.

关 键 词：《诗学》 元杂剧 “发现” “突转” 

分 类 号：I207.37[文学—中国文学]