中国第六代电影的电影史意义  

Historical Significance of the Sixth Generation Film in China

作　　者：杨晓林[1] 

机构地区：[1]复旦大学

出　　处：《浙江艺术职业学院学报》2008年第2期61-67,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：上海市教委课题(A.10-0127-06-801)

摘　　要：中国第六代电影以全新的姿态叛逆了第五代民族寓言电影以及转型后的商业电影,开拓了新的表现领域,丰富了中国电影的题材类型。从纵向比较的角度来看,第六代电影关注中国当下弱势群体的生存状态,大胆表现转型期社会存在的问题,具有强烈的现实批判性。第六代电影表现出对审美现代性问题的深刻思考,为民族电影的发展注入了更多哲学思辨的内容,使中国电影由关心民族解放、国家振兴、个性解放、文化复兴转向对人类文明的反思上来,在中国电影史上有着重要的意义。Different from the fifth - generation film of nation fable and commercial films, China＇ s sixth - generation film opens up new areas of performance and enriches themes of Chinese film. From the perspective of the vertical comparison, China＇ s sixth - generation film concerns the survival of contemporary vulnerable groups, manifests social issues in transition, and embraces strong reality criticism. The sixth - generation films show profound thinking on aesthetic modernism and add more speculative philosophy content to the development of national films. They are significant in the history of Chinese film Chinese films from the concern for national liberation, national revitalization, personality liberation and cultural renaissance to the reflection on human civilization.

关 键 词：第六代电影 叛逆 电影史意义 

分 类 号：J909.8[艺术—电影电视艺术]