论两汉“情志合一”诗学思想  

View on the Poetry Theory of "Emotion and Ration" in Han Dynasty

作　　者：辛文[1] 

机构地区：[1]江南大学文学院,江苏无锡214122

出　　处：《江南大学学报（人文社会科学版）》2008年第4期81-85,共5页Journal of Jiangnan University：Humanities & Social Sciences Edition

摘　　要：中国古典诗论长期存在着"讽喻教化"和"吟咏情性"两种认识,两汉则是联系"言志"和"缘情"的过渡阶段,其诗学思想呈现出"情志合一"的面貌。由《诗大序》提出的"情志合一"的诗歌本体论,不断在诗赋创作和理论中体现。"志"乃是"诗言志"观念的延续与发挥,而"情"是更为有价值的提法,是文学思想萌发的标志,是诗学走向自觉的必经之途。In the history of Chinese classic literature theory, there existed two kinds of view of poetry. One was that the intrinsic character of a poem is rational, political, allegorical and educational . The other was that a poem is emotional essentially. In Han dynasty, the Preface of Poetry said that a poem is a combination of emotion and ration and had realized the importance of emotion in a poem, which approached the intrinsic character of poetry by aesthetic criteria and became a key phases in the course of Chinese poetry towards true conscious state.

关 键 词：诗学 情志合一 自觉 

分 类 号：I207.2[文学—中国文学]