绣屏上的白鸟与蝴蝶标本——简析张爱玲、李碧华小说之不同  

One White Bird on the Screen and Butterfly Specimen——Brief Comparison between Zhang Ailing and Li Bihua's Novels

作　　者：陈敏[1] 

机构地区：[1]安徽师范大学文学院,安徽芜湖241000

出　　处：《温州大学学报（社会科学版）》2008年第5期50-54,共5页Journal of Wenzhou University：Social Science Edition

摘　　要：张爱玲和李碧华是中国现当代文学史上的两朵奇葩,也是文学研究者不断研究的"传奇",但长期以来研究者多侧重于两者共性的总结,而对其作品之间的差异却涉猎不足。有关作品中的人物命运,前者多写世俗生活中无奈地生,后者则写奇幻世界里惨烈地死;作家创作情感层面,前者趋冷,而后者趋热,等等。她们作品之间的诸多不同,其根源正在于两者在女性意识和宗教意识方面的差异。Zhang Ailing and Li Bihua are two marvelous flowers in the Modem History of Chinese Literature, and they are also the legend to the relevant researchers who had been putting particular emphasis on the summary in both common character of the two writers for a long time, however, they had ignored the difference between them, for instance, the personage destiny, creation emotion in the works. To the personage aspect, the former always says the no-choice-life, the latter likes to describe the cruel dying in a amazing world. On the emotional side, the former tends to be cool while the latter seems to be hot. Besides, we can discover much difference in the two writer＇s female awareness and religion consciousness by this analyzing from the works＇ surface structure.

关 键 词：张爱玲 李碧华 女性意识 宗教意识 

分 类 号：I206[文学—中国文学]