佛音缭绕的六朝“宫体”  

The Relation between Court Poem and Buddhism

作　　者：李大伟[1] 吕冬青[1] 

机构地区：[1]山东大学文史哲研究院,山东济南250100

出　　处：《三明学院学报》2008年第3期263-266,共4页Journal of Sanming University

基　　金：山东省教育厅"南北朝佚书考"项目(04052107)

摘　　要：魏晋南北朝是中国文学发展史上一个充满活力的创新期。宫体诗即是在齐梁时出现的一种新的诗歌体裁,其内容多为吟咏女性,风格绮艳,甚至有些色情描写成分。宫体诗的形成符合文学自身发展的规律,是诗歌发展到一定阶段的产物。但宫体诗的主要作者都深受佛教影响,甚至是很虔诚的佛教徒。从思想文化乃至艺术手法的角度来看,魏晋南北朝文学出现的这些"新变",与佛教在中土的传播有着极为密切的关系。Wei, Jin, Southern and Northern Dynasties were vibrant and innovative period in Chinese literature history. Court poem was a new poem genre, which appeared in Qi and Liang Dynasties. Most contents of these poems were about female and some were even full of lust. Court poem conform ed to the rules of literature＇s own development. But many poets were deeply affected by Buddhism and some even were pious Buddhists. These new changes in literature had close relationship with the spread of Buddhism in China from the angle of ideological culture and artistic form.

关 键 词：宫体诗 欲念 格律 

分 类 号：I207.22[文学—中国文学]