“乡下人”与沈从文的自我认同  

"The Country Folk" and Shen Congwen’ s Self-acceptance

作　　者：卢建红[1] 

机构地区：[1]广东商学院人文学院,广东广州510320

出　　处：《海南师范大学学报（社会科学版）》2008年第3期14-17,26,共5页Journal of Hainan Normal University(Social Sciences)

摘　　要：个人、自我及其相关话语构成中国现代认同的重要内容,它涉及个体与社会、国家、民族及其他群体的复杂关系。作为沈从文人生词典中的关键词,"乡下人"对于沈从文有着对于其他作家如萧乾、李广田等(他们都自称是乡下人)不同的意义,它不是一种自谦或自诩,而是来自于边远湘西、有着苗族血统的作家的自我定位和自我认同。它对于沈从文有着根源上的意义。这个有着复杂内涵的悖论性概念,在造成作家内在分裂的同时形成了作家的越界性写作。As key components of acceptance in modem China, the individual, self and related discourses involve the complicated relationship between individuals and society, state, nation and other communi- ties. As key words in the life dictionary of Shen Congwen, ＂the country folk＂ embraces a meaning for Shen Congwen distinct from that for other writers such as Xiao Gang, Li Guangtian, etc. （ who have claimed to be ＂rustics＂ ）, because this form of address--the country folk--is a self-orientation and self-acceptance for a writer of Miao extraction who comes from the remoter western part of Hunan rather than a self-depreciation or self-compliment, thus it is of essential significance for Shen Congwen. Such a paradoxical concept of complex connotations has resulted in the cross-boundary writing of writers as well as their inner division.

关 键 词：“乡下人” 自我认同 悖论性写作 

分 类 号：I206.6[文学—中国文学]