东正教“圣母大堂”折射的拜占庭建筑艺术  

The Byzantine Architecture of the Orthodox Cathedral in Shanghai

作　　者：蔡颖佶[1] 林驹[2] 

机构地区：[1]上海市房地产科学研究院土建设计室 [2]上海市房地产科学研究院

出　　处：《上海城市规划》2008年第4期35-39,共5页Shanghai Urban Planning Review

摘　　要：东正教自二十世纪初期传入中国,目前在上海乃至中国的影响已日渐式微,然而在上海这个"万国建筑博览会"的艺术殿堂中,东正教堂特有的拜占庭建筑风格无疑占有重要的一席之地。以新近修缮的优秀历史建筑——上海新乐路东正教堂(圣母大堂)为例,并将之与哈尔滨索菲亚大教堂及上海皋兰路圣尼古拉斯教堂进行对比,解析拜占庭建筑艺术风格特征,探索东正教宗教文化特点,体现出建筑历史渊源、文脉特征的查考对优秀历史建筑保护的重要意义。It＇s a very long period of time since the Orthodox had streamed into China at the early 20th century. The influence of the Orthodox had become weak gradually. However in Shanghai,the art hall of ＂the international building exposition＂, the unique Byzantine architecture of the Orthodox Church occupy an important place undoubtedly. In this article, we analyze the artistic characteristics of the Byzantine architecture,and explore the religious and culture characteristics of the Orthodox, with the Orthodox Cathedral which was newly renovated in Shanghai as an example, and with the comparison of Sofia Church in Haerbin and St.Nicholas Church. This shows that the historical origins and characteristics of the culture context is very important to the protection of typical historic buildings.

关 键 词：东正教 拜占庭建筑 优秀历史建筑 解析 历史文脉 

分 类 号：TU-86[艺术—艺术设计]