莫迪亚诺的解构主义诗学——评他的抗战文学“占领三部曲”  

Deconstructive Poetics of P.Modiano's Occupation Trilogy

作　　者：冯寿农[1] 

机构地区：[1]厦门大学外语学院

出　　处：《国外文学》2008年第3期109-115,共7页Foreign Literatures

摘　　要：莫迪亚诺在其"占领三部曲"里,采取解构的手法,矮化"父亲"的传统形象,揭示法国在二战时的分裂"身份",颠覆抗战英雄主义的传奇历史。作者反"英雄"化,去"神圣"化,通过小说表现了在德寇占领时期法国犹太人、甚至部分法国人甘当合作者,揭示那些被侮辱者精神上的麻木状态,甘愿苟且偷生的生存境遇。In his occupation trilogy, P. Modiano applies the deconstructive device to dwarf the traditional image of fathers, to expose the split ＂identity＂ of France during the Second World War, and to subvert the heroic history of the anti-war legend. By deconstructing the heroism and sanctity of the war, the novel presents another France in which the Jews and even some Frenchmen were willing to associate with the Germans during the German occupation period, and reveals the mental apathy of the insulted who could not but drag out an ignoble existence.

关 键 词：解构 身份 父亲 祖国 生存 

分 类 号：I565[文学—其他各国文学]