论王统照与闻一多诗歌的绘画美  

On the Painting Beauty in both Wang Tongzhao and Wang Yiduo's Poems

作　　者：韩亚楠[1] 姚素英[2] 

机构地区：[1]吉林师范大学,吉林四平136000 [2]吉林师范大学文学院,吉林四平136000

出　　处：《吉林师范大学学报（人文社会科学版）》2007年第2期71-73,共3页Journal Of Jilin Normal University:Humanities & Social Science Edition

摘　　要：王统照与闻一多都是中国现代著名诗人,他们虽然所属的文学流派不同,却是知音和挚友,共同追求诗歌创作的绘画美。然而,由于个人性格气质和审美视角与艺术情趣的不同,他们诗歌中的绘画美风格又表现出较大的差异。前者侧重清新雅致,以素淡的色彩工笔细描,构制优美的意境,耐人回味;后者追求浓墨重彩,七色俱全,虽重象征笔法,但更突出的特点却是直抒胸臆。正是由于诗人们笔法的繁复多样,才造成了现代诗坛的千差万别美艳多姿。Both Wang Tongzhao and Wang Yiduo are very famous modem poets in China. Although belonging to the different schools of literature, they are bosom friends, who pursue the painting beauty of poem creation together. Because of the different characters, views of appreciation the beauty and art interest, they develop the different manners of painting beauty in their poems. Just for poets＇ various writing skills, the modern poetic circles differ in the thousands ways.

关 键 词：绘画美 知音挚友 素淡雅致 七色俱全 

分 类 号：I207[文学—中国文学]