左翼意识形态与人道主义的深度关联--论夏衍剧作独特的价值内涵  

The Correlation between Leftist Ideology and Humanitarianism:the Example of Xia Yan

作　　者：黄科安[1] 

机构地区：[1]泉州师范学院人文学院教授

出　　处：《戏剧（中央戏剧学院学报）》2008年第3期62-71,共10页Drama:The Journal of the Central Academy of Drama

基　　金：国家社会科学基金项目“20世纪中国文学史通论”(项目编号:04B2W056)

摘　　要：夏衍作为左翼剧作家,其左翼意识形态,是以人道主义思想作为其深厚的内涵。在他剧本的创作中,"人性"视角成为他表达政治理念的最佳切入途径,这无论是体现在他最初刻意塑造的历史英雄人物,还是后来倾心描绘的生活在社会底层的小人物。然而,夏衍这种"人性"化的写作方式,却与1949年后国家意识形态强调塑造正面英雄人物的创作理念相背离,因此受到批判和谴责也就在所难免了。The paper proposes that the leftist ideology of Xia Yan is rooted in h ＂Human nature＂ offers him an effective angle for him to express his political ideas, as is exemplified not only in his portrayals of historic heroes but also in his depictions of ordinary folks in the lower depths. However, his ＂humanizing＂ penchant is to run counter to the state ideology which sets store by characterizations of heroic figures after the founding of the People＇ s Republic of China, and understandably to incur criticism and condemnation.

关 键 词：夏衍剧作 左翼意识形态 人道主义 创作理念 

分 类 号：I207.34[文学—中国文学]