游走在古典与现代之间——《红纸伞》的艺术张力  

Wandering between the Fields of Classic and Modern: The Art Tension of "Red Paper Umbrella"

作　　者：孙留欣[1] 

机构地区：[1]郑州大学文学院,河南郑州450075

出　　处：《河南科技大学学报（社会科学版）》2008年第5期48-52,共5页Journal of Henan University of Science & Technology(Social science)

摘　　要：谭易的《红纸伞》以地处中原文化与楚文化杂交地带的商州为背景,融入民间的巫鬼文化,弥漫着古老神秘的文化韵味。小说跨度自清末至21世纪,涉及商氏家族五代人,描绘了附着在红纸伞上的九个女子前生后世的悲欢离合与抵死缠绵的爱情纠葛。小说中古典意象的大量出现也营造出流动的古典气韵;运用自由的章法架构与现代的表现手法,透过华美、香艳的语言,实现了古典与现代的交融,凸显出特有的艺术延展性和艺术张力。Tan Yi＇ s novel ＂Red Paper Umbrella＂, taking Shang state as writing background which is the joint where the Central plains culture meets Chu＇ s culture and integrating with state folks of sorcery ghost culture, is filled with air of old and mysterious cultural lingering charm. The novel spans from late Qing dynasty to the contemporary era, involving five generations of the Shang＇ s, describing the joys and sorrows as well as their touching love affairs of nine women, who are adhered to the red paper umbrella. The classic images that emerge frequently in the novel construct flows of classic flavor. The free composition structure and modern technique of expression are used to show the novel＇s special art ductility and art tension. Through gorgeous and romantic words, the classic and contemporary world integrate harmoniously in the novel.

关 键 词：《红纸伞》 商州文学 谭易 

分 类 号：I207.67[文学—中国文学]