钱谦益唐宋兼宗的诗学宗尚及其理论根基  

On Qian Qianyi′s Mixed Advocation of Tang and Song Poetry and Its Theory Basis

作　　者：赵娜[1] 

机构地区：[1]苏州大学文学院,江苏苏州215123

出　　处：《内蒙古大学学报（哲学社会科学版）》2008年第5期110-115,共6页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：国家社科基金项目(项目批准号:05BZW027)

摘　　要：明末清初,钱谦益转益多师、唐宋兼宗的诗学宗尚建立在反思明代诗学的基础上,扩展了人们的师法对象,对唐宋诗做出了新的评价。入清后,钱谦益的诗学思想与佛学思想融合,并融通诗论中的世运、灵心、性情、学问等概念,从诗学基本理论的层面对师法宗尚做出解释。钱谦益的诗学思想在明清两代唐宋诗之争流变史上起着承上启下的重要作用,承接明末诗学思潮,给清代诗学确立了更宽阔、更深入的视野。In the late Ming dynasty and early Qing dynasty, Qian Qianyi rotateed increasingly many teachers, his poetics advoeation of both Tang poem and Song poem built on the basis of rethinking Ming dynasty poem, expanded people＇s imitated target, had made new valuation to Tang poem and Song poem. In Qing dynasty, Qian Qianyi＇s poetics thought and Buddhaism thought mingled together, and fused other poem concepts such as general mood of society, effective world heart, temperament , knowledge etc, made an explanation on poetics advocation from poetics fundamental theory. Qian Qian Yi＇s poetics thought was a connecting link on the history of discussion between Tang poem and Song poem during Ming dynasty and Qing dynasty, carried on the poetics trend in late Ming dynasty, provided Qing dynasty poetics with broader, more thorough view.

关 键 词：明末清初 钱谦益 唐宋兼宗 佛学 诗学 

分 类 号：I206.2[文学—中国文学]