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作 者:赵媛[1]
机构地区:[1]内蒙古大学艺术学院美术系,内蒙古呼和浩特010010
出 处:《内蒙古大学艺术学院学报》2008年第3期22-25,共4页Journal of Art College of Inner Mongolia University
摘 要:从上世纪三四十年代起至今,纵观中国现当代雕塑作品,以连环画模式出现的雕塑不胜枚举。雕塑创作借鉴连环画模式进而拓展和升华,是传统模式在不同艺术形态中被转换的典型范例。当代雕塑无论从造型语言上还是创作题材上都呈现出全新的面貌,纪念性雕塑的创作理念也有所突破,但连环画模式依然尽显其魅力。Since 1930 - 1940s, when we look at the contemporary Chinese works ,of sculpture, there are many sculptures with the comic paper mode. Sculpture with comic paper mode have expanded and sublimated and they are typical examples conversed traditional modes in different models. Contemporary sculpture in terms ,of its language or creating a new theme has taken on brand - new look, the ceremonial sculptures also have the breakthroughs in creative concept, but the cosmic model still keeps its charm.
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