“襄阳花鼓戏”的唱腔特色  

Singing Characters of Flower Drum Opera in Xiangyang

作　　者：杨传红[1] 

机构地区：[1]襄樊学院音乐学院,湖北襄樊441053

出　　处：《襄樊学院学报》2008年第9期79-83,共5页Journal of Xiangfan University

摘　　要：湖北省级非物质文化遗产——襄阳花鼓戏的前身是流传于襄樊地区的民歌小调和一些其他说唱艺术形式。襄阳花鼓戏有桃腔、汉腔、四平三支主腔,另外还有一百多个本地民歌、小调组成的彩腔,还有一部分是从湖北越调、梆子等吸收演变而来的杂腔等。襄阳花鼓音乐特色明显,声腔既高亢粗犷、激情热烈,又委婉细腻、明快活泼,富有浓郁的地方色彩和生活气息。The predecessor of flower drum opera of Xiangyang, as a kind of intangible cultural heritages in Hubei province, is the minor civil and other rap arts popular in Xiangyang. The flower drum opera of Xiangyang is mainly composed of three operas： Tao Opera, Han Opera and Siping, including Cai Opera consisting of more than 100 local folk songs and minors and Za Opera evolving from Yue Tone and Bangzi, etc. The singing characters of the flower drum opera of Xiangyang is very clear. The tone, on the one hand, is resounding and rough, warm and passionate, delicate and tactful, crisp and lively ; on the other hand ,it is given strong local characteristics and breath of life.

关 键 词：民间花鼓 襄阳花鼓戏 唱腔艺术 

分 类 号：J616.2[艺术—音乐]