“革命文学”论争中的茅盾创作——由茅盾的小说《蚀》《虹》说起  

MAO Dun's Creation during the Controversy over "Revolutionary Literature"

作　　者：刘雅君[1] 

机构地区：[1]四川大学文学与新闻学院,四川成都610004

出　　处：《晋中学院学报》2008年第5期23-25,共3页Journal of Jinzhong University

摘　　要：茅盾在革命文学论争期间鲜明地体现着"为小资产阶级写作"的思想,他的小说作品熔铸了大革命失败后部分小资产阶级知识分子消极、悲观的情绪,也表达了自己对于革命的梳理和反思,成为茅盾这一时期思想发展变化的一面镜子。"革命文学"论争后期,茅盾的创作视角不再拘泥于小资产阶级,而是向工人、农民和民族资本家等拓展,展示出更深广的主题和丰富的时代性。During the debate of revolutionary literature, MAO Dun clearly reflected the thought ＂writing for the petty bourgeoisie＂. His novels imply some negative, pessimistic mood of a part of the petty bourgeois after the failure of revolution and express his self- examination about the revolution, which mirror the development and changes in his thinking. In the late controversy about revolutionary literary, MAO Dun＇s creative perspective did not rigidly adhere to the petty bourgeoisie but to the workers, peasants and national capitalists, so his works show more extensive and rich themes of the times.

关 键 词：茅盾 革命文学论争 小资产阶级 

分 类 号：I206.7[文学—中国文学]