施蛰存与爱伦·坡荒诞小说的主题之比较  

Comparison of the Themes of SHI Zhe-cun and Allan Poe's Fantastic Novels

作　　者：翁菊芳[1] 

机构地区：[1]湖北师范学院文学院,湖北黄石435002

出　　处：《重庆文理学院学报（社会科学版）》2008年第6期23-26,共4页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

基　　金：教育部人文社会科学研究项目"施蛰存研究"(项目编号:07JA751037)的成果;湖北省教育厅思政处资助项目(项目编号:2007D344)的成果

摘　　要：作为心仪的榜样,相隔百年的爱伦.坡的创作,为年轻的施蛰存树立了艺术追求的标尺,也给他提供了可供效仿并着意酿造的幽深意境和怪诞的风格。文章试图用比较文学平行研究的方法,具体从时空的设置、女性形象的构造和死亡的书写这三个方面展现、剖析两位作家小说的"恐惧"和"恐怖"的不同主题。从而可以认识到施蛰存比爱伦.坡的小说更具有现代性。As an admirable example, 100 years later, Allan Poe＇s works not only provide SHI Zhe -cun with a surveyor＇ s rod of art pursuit, but also provide him with an imitation of deep and serene mood of a literary work and fantastic style. This paper attempts to analyze the different themes about fear and terror of the two writers＇ novels from three aspects： the arrangement of time and space, the structure of female images and the writing of death by means of parallel study of comparative literature, so that we can realize that SHI Zhe -cung novels are more contemporary than Allan Poe＇ s.

关 键 词：施蛰存 爱伦·坡 “恐惧” “恐怖” 

分 类 号：I106.4[文学—世界文学]