论吴趼人写情小说  

On Wu Jianren's Novels of the Love Story

作　　者：钟晓华[1] 

机构地区：[1]北京大学中国语言文学系,北京100871

出　　处：《中国文学研究》2008年第4期31-35,共5页Research of Chinese Literature

摘　　要：本文描述了吴趼人写情小说在其整体小说创作语境中的位置变迁,探讨其成因中的时代新旧文化之间恸"哭"徘徊的选择心态。小说文本叙事操作展现出忧愤深广的乱世生活的现实逻辑,从而情爱意识探讨上,倡导务实的传统道德回归。他对男女情爱细腻的心理描写启发了贯穿于女德、女学、女子婚恋等时代话题中的女性体贴平等意识,这对真正现代意义上的情爱小说的出现是有启示的。吴趼人系列写情小说的这些特点在与才子佳人小说文本的叙事模式比较中显得更为清晰。The thesis describes the position variance of Wu Jianren＇ s love novels in his whole novels＇ compositional view, and means to discuss the cultural choice painful psychology between the new and the traditional cultural which affects the novels＇ composition. The novel texts narrates the sorrow real-life development logic, so the author asked for returning the traditional moral conscience when he talked about the love consciousness. The exquisite psychology depiction about the love in his novels influenced the following female quality topic in the literature on morality, education, love and marriage, which touched the modem love story in the contemporary literature. Compared with the narrative model of the genius and beauty novels ,The above points of Wu Jianren＇ s love novels can been draw clear.

关 键 词：写情小说 位置变迁 才子佳人小说 情爱意识 文化选择 

分 类 号：I207[文学—中国文学]