从中原汉画看汉代民间宗教对艺术的影响  

A Look at the Influence of the Han Dynasty Folk Religion on Art Based on the Observation of the Han Dynasty Stone Relief in Central China

作　　者：司宁达[1] 

机构地区：[1]南阳师范学院文学院,河南南阳473061

出　　处：《南阳师范学院学报》2008年第10期62-64,共3页Journal of Nanyang Normal University

摘　　要：汉代的宗教思想十分流行,作为官方宗教的儒教和作为民间宗教的道教等的思想既相互交锋又相互依存,它们对艺术的存在状态和发展态势产生了深刻的影响,这种影响使汉代的艺术在以下三个方面表现突出,即现实主义精神与浪漫主义精神兼具、内容上多反映宗教题材和宗教思想、美学风格上的气势和飘逸,而中原汉画又对汉代艺术在这三个方面的表现做了有力和形象的注解。Religious ideology was prevailing in the Han Dynasty. Confucianism, which was the official religi on, and Taoism, which was a folk religion were ideologically confrontational yet mutually dependent on each other, both of which had a profound influence on the existent state and development trend of arts. Under such influence, the art in the Han Dynasty exuded the following three characteristics： concurrence of realistic spirit and romantic spirit, the reflection of religious theme and religious thinking in terms of content, and the vigor and the great momentum and elegance in aesthetic style. Moreover, the Han Dynasty stone reliefs in Central China forcefullv and vividlv annotate and testifv to the above three characteristics of the art in the Han Dvnastv.

关 键 词：中原汉画 宗教 艺术 影响 

分 类 号：J314.334[艺术—美术]