中国古代诗学“兴象”论  

On "Evoking Image" in Ancient Chinese Poetry

作　　者：赵国乾[1] 

机构地区：[1]南京晓庄学院,江苏南京211171

出　　处：《南京晓庄学院学报》2008年第5期54-58,68,共6页Journal of Nanjing Xiaozhuang University

基　　金：江苏省教育厅高校哲学社会科学基金项目(06STD750017)

摘　　要："兴象"是中国古代诗学和美学的一个重要范畴。"兴象"理论的形成与发展反映了古人对文学创作活动的心理特点和规律的认识逐步深化。"兴象"有着丰富的美学意蕴,在创作上追求"天人合一"的境界,在审美上表现出兴象高妙、情景交融、寄托深远等特征。＂Evoking image＂ is an important category of poetry and aesthetics in ancient Chinese. The formation and development of Evoking Image Theory reflects gradually deepening understanding of psychological characteristics and the law of literary activities. Evoking image, rich in aesthetic connotations, pursues ＂harmony between man and nature＂ in literature creation, showing characteristics of excellent ingenuity, blending of feeling and setting, and profound reference.

关 键 词：诗学 兴象 感兴 兴在象外 

分 类 号：I207.22[文学—中国文学]