中国文学弃妇形象的走向特点探析  

The Image of Abandoned Wife in Chinese Literature——A brief discussion of its tendentious characteristics

作　　者：刘忠洋[1] 谈征宇 

机构地区：[1]湖南工业大学中文系,湖南株洲412008 [2]湖南交通职业技术学院,湖南长沙410004

出　　处：《钦州学院学报》2008年第5期25-28,共4页Journal of Qinzhou University

基　　金：湖南省教育厅科研项目"中西文学视野下的理性观念与抗争精神"(06C082)

摘　　要：弃妇现象在中西方社会和文学中都存在,而中国则表现出在其特有的社会和文化背景下独自的走向特点,中国文学中,这种走向特点主要体现在两个方面:弃妇形象绵延不断,不绝如缕;弃妇形象从顺从走向反叛,但依然无法彻底摆脱传统的束缚,反叛精神依然较弱。There exists the image of an abandoned wife in both Chinese and Western society literature. While in China under the unique social and cultural background, represents its tendentious characteristics in two major aspects—— one is the continuous image of an abandoned wife; the other is such an image, in spite of its trend from obedience to rebellion, yet is still weak, and cannot completely cast off from the traditional fetters.

关 键 词：中国文学 文学艺术 弃妇形象 社会文化 发展趋势 

分 类 号：I206[文学—中国文学]