陕北宗教彩塑的审美特征与人文情感探究  

A discussion on the aesthetic features and humanistic emotion of the religious painted sculpture of Northern Shaanxi

作　　者：孟强[1] 

机构地区：[1]陕西榆林学院,陕西榆林719000

出　　处：《西北大学学报（哲学社会科学版）》2008年第6期I0018-I0021,共4页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：陕西省社会科学基金项目(06J016S);陕西省教育厅科学研究计划项目(07JK173);榆林学院07-09年科研项目(07KY15)

摘　　要：对陕北宗教彩塑的研究,其目的在于透过古老的艺术形态,揭示传统文化的真谛,使其合理和优秀的成分得以继承和发扬。在传统大文化背景下,通过对地域文化和彩塑表现形式的分析与比较,体现出陕北宗教彩塑的纯朴美、雄浑美、装饰美特征以及人与自然和谐统一的人文情感。是写实性与写意性、现实主义与浪漫主义相结合的典范,有着较高的研究价值。The aim of the study of the religious painted sculpture of northern Shaanxi is to reveal the true meaning of traditional culture of the ancient art form so that its reasonable and good ingredients can be inherited and carried forward. Under the traditional cultural background, through the analysis and comparison of the regional cultures and manifestation forms of painted sculpture, the beauty of simplicity, powerfulness and decoration of the religious painted sculpture of northern Shaanxi and the humanistic emotion of man and nature in harmony are reflected. It is a model of the combination of realistic painting and freehand brushwork in traditional Chinese painting, realism and romanticism, thus it has high research value.

关 键 词：彩塑形成 表现形式 审美特点 人文情感 

分 类 号：J302[艺术—美术] J337