论黄庭坚的辞赋创作  

On the Prose Poems Creation of Huang Tingjian

作　　者：周广璜[1] 刘培[1] 

机构地区：[1]山东大学<文史哲>编辑部,山东济南250100

出　　处：《山西大学学报（哲学社会科学版）》2008年第6期33-39,共7页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：国家社科基金青年项目<宋代辞赋的嬗变>(07CKW023)

摘　　要：在北宋后期的赋坛,黄庭坚是继苏轼之后的又一位重要作家。黄庭坚充分认识到个人修养与辞赋创作的关系,也认识到超越辞赋的创作传统必须建立在继承、融会传统的基础上。他的散体赋或表现道德情怀,或探索艺术人生,见解深刻,情韵悠远,语言精警。他的骚体赋继承并发展了骚体传统,充分展示了对高洁人格的向往和对道德完善的追求。在艺术上,他的赋重在传神写意,使辞赋中的铺张描写赋予诗意般的韵致,在一定程度上发展了辞赋描写心灵感受的功能。他的赋重兴寄、重含蓄,融会传统,自由挥洒而又不逾规矩。In the latter part of the Northern Song Dynasty, Huang Tingjian was another important prose poems （Fu） writer after Su Shi. Huang Tingjian fully recognized the relationship between personal culture and the creation of prose poems, and he also recognized that surmounting the creation tradition had to be built on the inheri- tance and assimilation of the tradition. His prose Fu, with incisive opinion, graceful rhyme and brilliant language, either expressed moral sentiments, or ought the artistic life. His Fu of Li Sao Style inherited and developed the tradition of Li Sao Style and fully showed the desire for the noble character and the pursuit of sound morality. In the aspect of arts, his prose poems paled more attention to vivid presentation. And it made the de- scription in his prose poems poetic. To a certain extent, he developed the function of describing the feelings in the Fu（prose poems）. His Fu（prose poems） paied more attention to sustenance and connotation and assimilation of the tradition, so that they are fluently written without violating any rule.

关 键 词：北宋 黄庭坚 辞赋 道德 传神写意 

分 类 号：I206.2[文学—中国文学]