怨恨·颓废·回瞥——对魏秀仁《花月痕》中现代性体验的解读  

Resentment·Decadence·Glance:An Interpretation to Hua Yue Hen's Modernity Experiences

作　　者：祝东[1] 徐刚[2] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064 [2]北京大学中文系,北京100871

出　　处：《山西大学学报（哲学社会科学版）》2008年第6期40-45,共6页Journal of Shanxi University(Philosophy and Social Science Edition)

摘　　要："晚清"是中国近代历史上一个难以定位的"乱世",同时也是中国社会由传统走向现代的过渡时期。晚清小说折射了晚清一代中国人的想象和认同,对历史的体认及对自我的理解。文章从现代性体验的角度来重新切入《花月痕》这部被人遗忘的晚清重要小说,考察这部"乱世飘零文本"中所蕴涵的怨恨、颓废、回瞥等现代性因子,并以此作为晚清传统向现代过渡时期的文学"表征",烛照晚清中国人现代性体验的发生及其排遣的历史方式。Late Qing dynasty is a troubled time which hard to position in modern Chinese history, and it is also a transitional time from tradition to the modern. The novels in late Qing dynasty reflect Chinese people＇s imagination and identity, their recognition of history and their understanding of themselves. The article cuts into a forgotten but important novel Hua Yue Hen from the aspect of modernity experiences, and discusses the resentment, decadence, and glance in that sad novel. As the elements of modernity experiences, this novel represents literature transition in Late Qing dynasty and reveals Chinese people＇s birth of modernity experiences.

关 键 词：《花月痕》 现代性体验 怨恨 颓废 回瞥 

分 类 号：I206.5[文学—中国文学]