回到文学自身:中国现代作家论批评的新视角——以沈从文20世纪30年代的作家论为例  

Return to Literature Itself:The New Critical Perspective of the Chinese Modern Comment on Writer——Taking Shen Congwen's Comment on Writer in 1930s for Example

作　　者：谢丽[1,2] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064 [2]重庆师范大学学前教育学院,重庆400043

出　　处：《山西大学学报（哲学社会科学版）》2008年第6期50-53,共4页Journal of Shanxi University(Philosophy and Social Science Edition)

摘　　要：在20世纪30年代多从社会学批评视角评判创作者的作家论写作氛围里,沈从文立足于文学为本位的批评立场撰写的、试图让批评回到文学自身的作家论,以把握作品风格与作家人格的感悟印象式的批评文本,不仅在一定程度上弥补了主流批评相对忽视文学独立性的缺憾,而且批评者开启的维护文学本体性的中国现代作家论批评的新视角,在表现批评主体独具特色的批评个性的同时,亦体现出注重文学审美特性的现代作家论批评的可能性。In the 1930s＇ writing atmosphere of make comment on writer, the creator was mostly judged from sociological critical perspective. Based on the standpoint of taking literature for the standard criticism, Shen Congwen＇s comment on writer attempted to make the criticism return to literature itself, and with its impressionlike criticism text grasping the work style and the writer personality, it not only has remedied such a defect as the mainstream criticism relatively neglect the independence of literature to a certain extent, but also, as well as displaying the unique critical characteristic in criticizing subject, the new perspective of maintaining literary noumenon which opened by the critics, manifests the possibility of modern comment on writer which put much emphasis on esthetic characteristics.

关 键 词：沈从文 作家论批评 文学本体性 

分 类 号：I206.6[文学—中国文学]