新媒体革命与西方艺术的激进化  

New Media Revolution and the Radicalization of Western Art

作　　者：黄鸣奋[1] 

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《山西大学学报（哲学社会科学版）》2008年第6期111-115,119,共6页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学研究课题"互联网与艺术产业"(05JA760015)

摘　　要：20世纪人类社会生态、媒体生态和精神生态的变动促进了激进主义的流行。以此为背景,新媒体艺术中出现了激进主义倾向,其特点是反体制、反控制、反时尚。目前,对激进主义理念、角色、策略的研究正成为新媒体艺术理论探索的重点。The changes of the social ecosystem, medium ecosystem and spirit ecosystem of mankind in 20th century lead to the fad of the radicalism, against which an radicalist tendency appeared in the new media arts, with the feature of anti- system, anti - control, and anti - vogue. It is becoming the focus of the exploration into theories on new media art to research radical principle, role, and strategy.

关 键 词：激进主义 艺术 新媒体 

分 类 号：G206[文化科学—传播学]