珍珠釉彩画及其笔料  

COLORED PAINTINGS OVER PEARL GLAZE AND THEIR BRUSHWORK AND MATERIAL

作　　者：秦晓明 邵校[2] 

机构地区：[1]景德镇秦御阁艺术陶瓷行,景德镇333000 [2]景德镇陶瓷学院,景德镇333001

出　　处：《中国陶瓷》2008年第12期73-75,共3页China Ceramics

摘　　要：通过对珍珠釉彩画的介绍,以及对珍珠釉彩画的用笔用料的详尽探讨,得出笔法、料法对珍珠釉彩画犹为重要的结论。对于整个陶瓷艺术领域,创作者的真功夫往往见诸于笔端,行于坯、胎之上,成于烧炼之后。对于日渐淡于舞台的传统工艺来说,任何一次对传统工艺的推崇都将延缓美人迟暮,当然我们更希望新兴的艺术家能够从多种角度去思考传统的精华,用现代的方式演绎传统。Through a detailed study of the brushwork and material, the paper concludes that they are especially important to colored paintings over pearl glaze. For the traditional arts whose popularity is declining, any effort in preserving them will slowdown the decline. Meanwhile, we hope that the new generation of artists can ponder upon the essence of tradiational arts from new perspectives and reflect the traditions with modern approaches.

关 键 词：珍珠釉彩画 笔法 料法 

分 类 号：TQ174.43[化学工程—陶瓷工业] TU-092[化学工程—硅酸盐工业]