迪娃空间——浅析扎哈·哈迪德的空间设计理念及其形式语言逻辑  

Div's Space——Analyzing Zaha·Hadid's Spacious Concepts and the Logic of Formal Languages

作　　者：陈坚[1] 魏春雨[1] 王蔚[1] 

机构地区：[1]湖南大学建筑学院

出　　处：《中外建筑》2008年第12期81-85,共5页Chinese & Overseas Architecture

摘　　要：扎哈·哈迪德无疑是当今世界建筑舞台上最耀眼的明星建筑师。近些年来,随着扎哈·哈迪德的设计思想和创作手法日益被人们所接受,其在当今的建筑学界亦已颇具影响,但是人们往往更多地是关注于她在建筑领域的设计成就,从而一定程度上忽略了其室内空间设计,甚至是产品设计或装置艺术作品亦是其传播设计思想与理念的重要载体。本文将视点对焦于这些被人们所忽视的小尺度作品,以小见大,从一个非主流的角度浅略地分析扎哈·哈迪德同样游离于主流建筑思潮之外的空间设计理念及其形式语言逻辑。we cant deny that Zaha-Hadid is one of the most starring architects on the stage of the world-wide architectural design nowadays. She exerts a profound and far-reaching influence on architectural discipline with her personal concepts and design methodologies being gradually and widely accepted and approbated by increasingly number of people, however, the masses used to direct much more heed to her accomplishments in the field of architectural design, neglecting the fact to some extent that her other works ranging from interior designs,through product designs, installations, even to the furniture and cutlery designs can also be viewed as an essential carrier of transmitting her ideas. This article attempts to focus attention on these relatively small-scale works that is oftentimes overlooked by populace and tries to probe into Zaha .Hadid＇s spacious concepts and the logic of her formal languages from a heterodox perspective.

关 键 词：迪娃 游戏 超现实 人造地景 未来主义 

分 类 号：TU-86[艺术—艺术设计]