从为“艺”谋的《红高粱》到为“利”谋的《英雄》  

Zhong Yimou:from Art in "Red Sorghum" to Profit in "Hero"

作　　者：徐小卷[1] 

机构地区：[1]华侨大学文学院,福建泉州362021

出　　处：《陇东学院学报》2008年第6期67-70,共4页Journal of Longdong University

摘　　要：电影《红高粱》的问世,成就了以张艺谋为代表的具有先锋意识的第五代导演,这一群体恰逢中国经济的转型时期,电影市场由计划经济走向市场经济,他们所拍摄的电影由先锋性向市场化转型,转型后的电影由于商业化过于浓厚以至掩盖了电影本身的艺术性。电影在转型时期遇到的种种不安和困惑,这种不安和困惑在向世界电影市场接轨时出现了巨大差异性。而张艺谋商业化倾向的电影让我们深思中国电影的出路何在。Zhang Yimou, as a representative of the 5th generation of Chinese pioneer- directors, became well -known after the release of his film ＂Red Sorghum＂. As China＇s economic pattern has changed, film production has experienced a shift from planned economy to market economy. The films they directed aimed to the market more than to the filming arts. Zhang Yimou＇s market -oriented films set us thinking.

关 键 词：张艺谋 《红高粱》 《英雄》 好莱坞 精英意识 商业化 

分 类 号：I206.7[文学—中国文学]