现代文艺学建构视野下的瞿秋白文艺思想  

QU Qiu-bai’s Literary and Art Thought from the Angle of the Modern Literature and Art Construction

作　　者：杨建生[1] 赵科印[2] 

机构地区：[1]常州工学院人文社科学院,江苏常州213022 [2]淮阴师范学院中文系,江苏淮阴223001

出　　处：《四川理工学院学报（社会科学版）》2008年第6期109-112,共4页Journal of Sichuan University of Science & Engineering(Social Sciences Edition)

基　　金：江苏省高校哲学社会科学基金项目(07SJD750016)

摘　　要：瞿秋白是我国现代文学史上重要的文艺理论家,其文艺思想非常独特而富有创见。我国现代文艺学草创于19世纪末到20世纪初,经过"五四时期"学术典型的初步建构,到了上世纪20年代后期至30-40年代,各种不同文论话语之间发生激烈冲突,出现了各种"主义"的译介热潮,其中以瞿秋白为代表的马克思主义文艺理论的译介对中国现代文艺学的影响最为深巨。瞿秋白是马列文论"中国化"的重要奠基者和伟大开拓者,是上世纪30年代中国革命文艺理论的主要奠基人,是毛泽东文艺思想形成过程中最重要的中介人。Qu Qiu-bai is the important literary and artistic theoretician in our country＇s modem literary history, whose literary thought is very distinctive and rich in original ideas. Modem literature of our country started to establish in the end of 19^th century to the beginning of 20^th century. After the primary construction in the May 4^th Movement period, fierce conflicts happened in various different theories, and various ＂-ism＂ medio-translatology appeared in the late 1920s to 1930s and 1940s. QU Qiu-bai is the representative of Marxism literary and artistic theory, which has the greatest influence on the modem Chinese literature and artistic theory. He is the important founder and great pioneer of sinicized Marxism-Leninism literary theory, is the founder of Chinese revolution literary and artistic theory in 1930s, and is the most important medium for the formation of MAO Ze-dong＇s literary ideology.

关 键 词：瞿秋白 马列文论 中国化 现代文艺学 

分 类 号：I206[文学—中国文学]