论周代礼乐文化中的象征性  

On Symbolic Meaning in the Culture of Rites and Music in the Zhou Dynasty

作　　者：褚春元[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师范大学文学院学报》2008年第4期73-76,共4页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金："江苏省博士后科研资助计划"项目;编号:0702050C

摘　　要：我国的礼乐文化发展到周代,达到了鼎盛。周续殷礼,祭祀在礼乐文化中有重要地位。祭祀活动不断发展,逐渐程式化、秩序化,成为一种象征。周代的礼乐文化具有象征性。这在周代的乐舞艺术和青铜艺术上体现得特别明显。In the Zhou Dynasty, the culture of rites and music went to its height of prosperity. The Zhou Dynasty succeeded the rules of etiquette of the Shang Dynasty. The ceremony to offer sacrifices occupied an important position in this culture. Its development showed a trend towards formulism and a certain order was set up, and gradually, it symbolic meaning, which became a kind of symbol. The culture of rites and music in the Zhou Dynasty had was mostly reflected in the dancing art and the bronze art.

关 键 词：周代 礼乐文化 象征 

分 类 号：I209.2[文学—中国文学]