《花间集叙》与词体侧艳品格的确立  

Preface to Huajian Anthology and Establishing of the Flashy Tendency of Ci Style

作　　者：高灿仙[1] 何永福[1] 

机构地区：[1]大理学院,云南大理671003

出　　处：《大理学院学报（综合版）》2008年第11期32-34,38,共4页Journal of Dali University

基　　金：大理学院2006年第1批校级精品课程建设项目(大院教发〔2006〕5号)

摘　　要：赵崇祚的《花间集》是我国第一部文人词集,欧阳炯的《花间集叙》从理论上对温庭筠以来的绮靡词给与了认同和张扬。因此,不仅欧阳炯的序是中国最早的词论专文,他在序中阐述的词学审美标准,也就成为中国最早的词学批评标准。《花间集叙》中的"词为艳科"的理论的形成和对词情的侧艳的审美评价,是对儒家诗教理论的一种突破,但它立足于追求享乐的人生态度及对词的侧艳品格所作出的片面的强调,又把词的价值功能狭隘化,从而走向了另一个极端。HuaJian Anthology written by Zhao Chongzuo is the first collection of literati＇s Ci lyrics in our country. Ou Yangjiong＇s Preface to Huajian Anthology theoretically recognizes and recommends the flashy and gaudy style of Ci lyrics that prevailed with Wen Tingyun＇s spearhead. Ou Yangjiong＇s preface, therefore, is not only the earliest thesis exclusively on Ci, but also the first advocacy of aesthetic criteria for Ci lyrics. The Theory ＂Ci is a kind of flashy poem＂ in the preface forms an aesthetic evaluation of the flashy tendency and also is a breakthrough in Confucian theory. However, this preface has gone to another extreme, because it stresses exparte the flashy tendency of Ci lyrics from an attitude of hedonism and thus has narrowed down the value of Ci lyrics.

关 键 词：花间集叙 唐五代词 词为艳科 词体审美标准 

分 类 号：I207.23[文学—中国文学]