诗论尊唐抑宋 诗作唐宋兼宗——南社柳亚子诗论与部分诗作背反现象简论  

A Brief Study on the Partial Departure of Liu Yazi’s Poetry from His Poetics during the Period of Nanshe

作　　者：孙立新[1] 

机构地区：[1]苏州大学文学院,江苏苏州215123

出　　处：《苏州大学学报（哲学社会科学版）》2008年第6期46-50,共5页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：国家社科基金项目(编号:05BZW027)资助

摘　　要：南社时期,柳亚子论诗尊唐抑宋,但其诗作总体上却表现出亦唐亦宋的艺术风貌。历史与现实、社会与个人的风云际会使他将诗歌作为思想宣传、政治鼓动、社会评述、历史记录的工具,从而造成了其诗歌创作对其诗学思想自觉不自觉地部分背反。作为南社的领袖和灵魂,柳亚子是南社诗人群体最有代表性的人物,因此,审视柳氏诗论与诗作之间这一部分背反的现象,不仅有助于深化对柳诗的理解,把握南社诗歌活动的基本特征,同时也可为当下诗歌创作实践和诗学理论建设提供一些借鉴。Although his poetics esteemed Tang poetry while scorned Song poetry,Liu Yazi＇ s poetry generally showed the styles meanwhile similar to those of Tang and Song poetry during the period of Nanshe. For the sakes of history ,present age, society and individual, he made use of poetry for ideology propoganda, politics agitation, society commentary and history record, with the conscious or unconscious result of a partial departure of his poetry from his poetics. As the leader and the soul of Nanshe,Liu Yazi was the most representative poet of the galaxy of Nanshe poets ,and so a close study on this partial departure, not only benefits a deeper comprehension of Liu＇ s poetry and the fundamental characteristics of Nanshe＇ s poetical activities,but also furnishes present poetry composition and poetics study with some useful reference.

关 键 词：南社 柳亚子 诗论 诗作 尊唐抑宋 亦唐亦宋 

分 类 号：I207.2[文学—中国文学]