论杨晦文艺思想的特色及其构成  

On the Main Contents and Features of Yang Hui's Literary Thought

作　　者：董学文[1] 凌玉建[1] 

机构地区：[1]北京大学中国语言文学系,北京100871

出　　处：《北京社会科学》2008年第6期61-64,共4页Social Sciences of Beijing

摘　　要：杨晦是中国现代文学理论批评史上一位极具特色的大家。他的文艺理论可大致分为三个方面,即文艺"荷担苦难"说、作家"自我告别"说以及探索中国新文艺发展方向的"农民文艺"说。他的以文艺"公转""自转"律为中心的文艺-社会关系论,是他最具有独创性的理论观点,也是其文艺思想的核心。Yang Hui was a very characteristic expert and an outstanding master in Chinese history of modem literary theory and criticism. Yang Hui＇s literary thought can be divided into several parts such as the views of literature reflecting suffering, writers＇ self-denial and peasantry literature as the direction of new literature of China. His literary thought has the law of literary revolution and rotation as its foundamental core, resting on the system of the relationship between literature and society, which is the most original theoretical viewpoint of his.

关 键 词：杨晦 文艺思想 现实主义 

分 类 号：I209[文学—中国文学]