佛教对谢灵运山水诗结构的影响  

on Xie Lingyun's Landscape Poetic Structure

作　　者：林珍华[1] 

机构地区：[1]华侨大学文学院,福建泉州362021

出　　处：《福建师大福清分校学报》2009年第1期53-56,共4页Journal of Fuqing Branch of Fujian Normal University

摘　　要：谢灵运作为山水诗不祧之祖,其山水诗深受盛行于晋宋之际广为流传的佛教的影响,而对谢灵运山水诗结构影响较大的,是东南佛教领袖慧远及其庐山僧团的"沉冥之趣"与"法身"思想,以及道生的顿悟论,由此形成谢灵运山水诗"应目——会心——感神——理得"的结构,此结构正是谢灵运对山水诗的探索和创新,也正是他对山水诗的重要贡献之一。Xie Lingyun was the forefather of landscape poems which were influenced by the then popular Buddhist thought during the Jin and the Song dynasties. Among Buddhist impacts, the factors that greatly influenced Xie＇s landscaper poems were the leader of the Southeast Buddhism Hui yuan, the Lu Shan Buddhists＂ theory of Meditation and Fa Shen, and the Tao＇s Satori Theory. With these influences, Xie developed his landscape poetic structure of Sighting, Feeling, Resonance, and Harmony. The struc-ture is not only Xie＇s exploration and innovation on the landscape poems, but also his brilliant and irreplaceable contribution to them.

关 键 词：佛教 谢灵运 山水诗结构 影响 

分 类 号：I206.2[文学—中国文学]