红色影视价值表征的现代性审视  

On the Modernity of the Representation of Values of Red Movies

作　　者：毛攀云[1] 吴象枢[1] 

机构地区：[1]吉首大学文学与新闻传播学院,吉首416000

出　　处：《新闻界》2008年第6期144-146,共3页Journalism and Mass Communication

摘　　要：红色影视是红色精神在当代传承的载体,是现代商业机制下的一种经典价值图谋,是现代性语境下的主体建构镜像,亦是文化生态环境不可或缺的中国地标。消费原则对经典的解构使红色叙事由一元走向多元,但这种多元拓展下的现代主体建构却与红色经典隐喻的主流意识形态及其核心精神的延续形成一种文化症候。The red movies are body of red spirits succeeding up to now, the classic value scheme with the modem commerce mechanism, the mirror image of the subject construction with the context of modernity, are also the needful culture landmark of China with the culture ecology. That the principle of consumption deconstructing classics makes a multi-red narration, but a kind of culture symptom takes shape with the action between the construction of modernity subject and the mainstream ideology the red classics have and the continuing of its key spirits.

关 键 词：红色影视 现代性 审视 症候 

分 类 号：G220[文化科学]